FIRST LOVE OF KHODJA NASREDDIN 
based on T.Zulfikarov’s poem
FIDDLER ON THE ROOF 
by Sholom-Aleichem’s "Tevye, the Milkman" novel
PARABLE ABOUT LOVE GIVEN 
a plastique/dance show based on A.Navoi’s “Birds’ Language” poem
KHOLSTOMER, THE HISTORY OF A HORSE
by L.Tolstoy
SODOM AND GOMORRAH - XXI 
a plastique show in a style of progressive rock
WORLDS IN COLLISION
by I.Netanyahu
A HAPPY END
by I.Netanyahu
TARTUFFE
high comedy by J.-B. Moliere
PRINCESS TURANDOT
a comedy-tale for adults by C.Gozzi
CONSTELLATION OF OMAR KHAYYAM
by T.Zulfikarov’s poem
A WOMAN IS A DEVIL
a comedy by two plays of P. Mérimée 
OVER AN ABYSS IN A LIE…
kids’ truth about adults’ fraud by works of Tennessee Williams and Andrey Makayonok 
SCARLET SAILS
musical extravaganza by A. Grin
DOCTOR IN SPITE OF HIMSELF
the funniest farce by J.-B. Moliere
EIGHT LOVING WOMEN
a revelation about women in a French manner by R.Thomas
CREEPS  
a casting drama by L.Hubner
EQUUS
by P.Shaffer
THE HONEST PEOPLE
a lyric drama based on the I.Turgenev’s play “Month In A Village”
A TASTE OF HONEY
by Shelagh Delaney

 



























 
A WOMAN IS A DEVIL

a comedy by two plays of P. Mérimée 

Director - Honored Artist of Republic of Uzbekistan
Nabi ABDURAKHMANOV

Stage designer - Dmitriy MOKHOV

Художник восстановления и художник по костюмам –
Vassa VASILYEVA

Composer - Ilya MELAMED

Ballet master - Anna TRENINA

Premiere was held in 12th of December1992

Duration of performance 2 hours 30 min.

Nobody can joke with inquisition – alchemists, pythons and fortunetellers of gloomy muddle ages have understood it well, majority of them, alas, posthumously.
But if inquisition catches a pretty woman, tragedy turns as slapstick.
And then monks, whose zealous sanctity has risen on campfire not one comparatively innocent witch, with the same passion are ready to give - and successfully do this! – Life for devil incarnate - for woman.

So, the verdict, in the name of play, anticipates the most persisting magical sight of carnival, which essence is concluded in change the roles and functions of personages.
The Campfire, in which must burn the woman-devil, burns the monks themselves because it is a fire of passion, as a whole personifying thirst of life.

It is too complicated to tell, how many acts have to consist the play, taken on itself boldness to present to the spectators all that action, to which goes men overfilled by love.
Youth Theatre of Uzbekistan, made only two acts, according to the spectators opinion was wholly enough, as a short briefing "How to survive with woman".
The history of two friends, Bedouin and Arab, with
lethal upshot, told in the second act, puts a big
question: whose direct charge is a woman – God’s or devil’s?